Tag Archives: Academy Award

Dustin’s Three to See: January

Don’t get out to the movies as often as, say, a single 29-year-old manchild with an escapism complex? Well don’t fret, I’ve taken all of Hollywood’s shoddy offerings and narrowed them down to the three that won’t make your $20 movie ticket feel like a total waste. I call it Dustin’s Three to See because I am as creative as a kindergartner. As always I keep things as spoiler free as possible.

As any even casual observer of movie culture can tell you, January is a bad month for movies. Generally considered the graveyard of the release calendar, January is where bad movies go to die. After the holidays people usually have less in the budget for activities like moviegoing or tipping their bartender, and as a result, movies that are deemed not as good as movies like Tyler Perry’s Madea’s Witness Protection end up here. Whether it’s rewrites, poor focus group results, or just an overall bad film…if you think of a movie as a toddler, January is the timeout-chair its sent to when it’s misbehaved.

That said, there were still a couple diamonds to be found in the rough of this January, and if you got an AMC giftcard for Christmas like I did, here are the January releases that are worth your while.

Movie 1) — Gangster Squad
Remember a second ago when I said how January is full of mediocre movies? Gangster Squad is not a good movie. However, it’s not a terrible movie, either. And against the rest of the January slate, that makes it…watchable. The awful tragedy in Aurora, Colorado last summer meant that Gangster Squad’s much-publicized scene where the gangsters shoot through a movie theater screen and into the audience instantly became extremely inappropriate, meaning that the newly-infamous scene and the ending of the movie both needed to be rewritten and reshot before the film could be released. Whether it was those drastic post-wrap changes or something else that made Gangster Squad only okay, we’ll never know. But if you like Ryan Gosling (and just a cursory glance at any social media suggests that you do…a lot), flapper-style Emma Stone, and some cool period-accurate visuals, Gangster Squad is worth a go…if only to whet your whistle for when The Great Gatsby comes out.

Hey girl, sorry you couldn't be in Drive.

Hey girl, sorry you couldn’t be in Drive.

Continue reading

Advertisements
Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Dustin’s Three to See: December

In an effort to stay slightly more topical than, say, reviewing 33-year-old episodes of Saturday Night Live, I wanted to share the top movies I saw last month — to help out those of you who don’t see 90% of the films that are released like I do. And actually full credit goes to my longtime friend Phil (if you live in Columbus or the surrounding areas, go see his awesome cover band!) who was like “You see a lot of movies…you should put together a top three list every month so people who don’t go to the movies very often know which ones they should see.” And so here we are.

December is a huge month for movies, so coming up with a list of good movies to see this month wasn’t the hard part…the hard part was keeping it to three. However if you were on death row and your last request was to see three movies (instead of something more practical like, say, a hacksaw baked into a cake), these are the three to see. They are in no particular order.

 

Movie 1) — The Hobbit: An Unexpected Journey
The only unexpected thing about Peter Jackson’s Middle-Earth prequel is that they broke the shortest book (J.R.R. Tolkien’s The Hobbit) into the most movies (three so far, not counting an animated spinoff I’m pitching about dysentery called “Gollum’s Revenge”). But just because you know what’s coming doesn’t make it any less of an enjoyable ride. Jackson’s visuals have only sharpened since 2003 and brought an even more vibrant Middle Earth to life (just as those poor Kiwis were starting to be known for something other than the LOTR movies). In fact, if you’re re-watching the Lord of the Rings: Extended Edition on BluRay like I am (cue a chorus of “ohhhh THAT’S why he’s single”), you’ll really notice how much the CGI and other effects have improved in Middle Earth over the last ten years since Return of the King came out. This movie feels every bit like it’s only the first third of the story, versus the original trilogy where each installment had its own sense of closure. But to its credit, The Hobbit doesn’t drag, despite the 170-minute run time (every bit of three hours if you include previews). A good movie, with the clichéd “something for everyone” vibe that does, in fact, have something for everyone.

 

Movie 2) — Django: Unchained
Quentin Tarantino bears the blessing and curse of being mentioned equally alongside each of his movies — versus other directors who enjoy a slightly more anonymous presence and are able to let their movies speak for themselves. That said, QT’s latest work still has a lot to say, and if you can get past the decidedly R-rated Tarantino-style gore and more gratuitous use of the N-word than a Li’l Wayne + Mark Fuhrman mixtape, you’ll find a complex and compelling story, woven full of complex and compelling characters. With the spot-on performances you’d expect from Leonardo DiCaprio and Jamie Foxx, and tons of support from scene-stealers Samuel L. Jackson and Christoph Waltz (the latter just today nominated for Best Supporting Actor…hard to not think of him as a lead, though), this film would be a master class in acting and directing, even without its very solid story and script. But the difference between a very good movie and a great one is what you come away with once the credits have finished rolling, and when you leave Django you won’t be thinking about the exploding limbs or the racial slurs, you’ll be thinking about what the world would look like with a little less hate in it. And that’s a great thing to take away from any experience.

 

Movie 3) — Les Misérables
I know I said earlier that I wasn’t ranking these films in any particular order, but if you see one movie this month (or this year for that matter), it absolutely has to be Tom Hooper’s soon-to-be legendary movie based on Claude-Michel Schönberg’s legendary musical based on Victor Hugo’s legendary novel (as epic as it is lengthy). Hyperbole aside, what makes this story so compelling is that it calls into attention the eternal (and arguably only) struggle of humankind — how to forgive the unforgivable and how to hope in the face of hopelessness. To do what’s right even when it will bring no recognition or personal profit. Why else would a story written over 150 years ago and a musical that’s been running for over three decades still carry such weight in our modern lives? The acting is spectacular, the score and arrangements are deeply engrossing…overall this is an incredibly faithful and powerful adaptation of a property that isn’t easy to convert to the silver screen. The most nitpicky will wonder if the director’s ever heard of any shot besides a closeup, and will decry Russell Crowe’s vocals as subpar, but neither of these things diminish the overall experience or “must-see” status of the film. And if you’re adapting a famous stage musical, why not showcase the one element that you never see when you’re seeing the stage version in person? The closeups of the brilliant acting taking place. And as for Crowe’s vocals, the simple fact of the matter is that they’re not actually that bad…he’s just the least-talented singer in a cast of VERY talented singers. It’s not like watching American Idol auditions, and even Randy wouldn’t be so bold as to call him pitchy (he has a nasally timbre to his voice, to be sure, but he sings in tune). And if it still bothers you that much, just do what Paula did to tolerate bad singing — get hammered drunk until you don’t care. And really, isn’t that what the holidays are all about anyway?

Kidding aside, none of us are so perfect that our lives don’t need some dissection more often than not, and if it takes a major motion picture like Les Misérables to be the caveat that pushes you to choose hope and life and right in the face of this world’s constant negativity and darkness, then so be it.

“To love another person is to see the face of God.” —Victor Hugo

 

So there’s your three to see for December, and don’t fret, I’ll be sure to sort through January’s best for you in time for the start of next month!

Honorable Mentions (from November and December): Wreck-It Ralph, Skyfall, Lincoln, Amour, Promised Land

Play on,
Dustin

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Best Picture is Worth a Thousand Words

I am aware that this topic is well past its relevance point, and a sea of people have covered it more thoroughly and accurately than I have, but I simply had to write a thousand words on this particular topic just so I can sleep at nights. Believe me when I say that I really, really tried to leave this alone. It’s one of those things that bugged me to my core, but I knew that no one else cared about or wanted to hear me rant about on any deeper level than fleeting small talk. So I resisted. And resisted. But nope, just like Scottish whiskey and Irish women, I’ve caved in and decided to rant to the one medium that doesn’t take no for an answer (besides Ben Roethlisberger): the internet. Early mornings be damned, let’s get our blog on.

I guess we just chalk this one up as a failure of willpower.

Continue reading

Tagged , , , , , , , , , , ,
Advertisements
%d bloggers like this: